Michael Bennett
Michael Buble Tickets – How Did Michael Buble Become the Biggest Star on Earth?
If Tony Bennett is the reigning king of the Great American Songbook, then Michael Buble is its crown prince.
Thats has a lot to rest on the shoulders of a 32-year-old vocalist, one who only has three full-length studio albums under his belt, but Buble certainly lived up to that designation during his concert on Saturday night (May 3) at the HP Pavilion in San Jose.
He opened his 100-minute set by jazzing up fellow Canadian Leonard Cohen Your Man an appropriate choice since, in 2008, Michael Buble is definitely the people choice. Jazz aficionados might say that other singers have better chops _ and they be right _ but to truly follow in the footsteps of Tony Bennett and Frank Sinatra, a performer must also achieve mass popularity. Thats something that Buble has done in spades.
Hes nothing less than a phenomenon _ a young man who sings like Frankie, sells concert tickets like Springsteen and moves records like Mariah. Remember the sensation that Harry Connick, Jr. caused with the Harry Met Sally soundtrack back in 1989? Good. Now, multiple it tenfold and you get Buble current spot in the market place.
His latest CD, Call Me Irresponsible, hit No. 1 on the Billboard Album Chart shortly after being released last May. Equally impressive is the fact that Buble is now a legitimate arena act, able to draw some 10,000 fans to HP.
Fortunately, those eye-popping numbers are matched, even surpassed, by Buble prowess on the live stage. Hes taken his nightclub shtick and found a way to bring it into arenas, with amazingly little lost in translation. The production we saw in San Jose was decidedly straightforward _ just a vocalist leading a sensational 13-piece band, complete with a horn section, through tunes that, for the most part, have been around for decades _ yet Buble was still able to make a connection with those sitting an ice rink away in the so-called cheap seats.
Very few performers go to greater lengths to strike that connection than Buble. Its almost like he puts developing that bond above even singing the actual songs. In one instance, immediately following a lovely burn through Fever the vocalist spotted one of the younger audience members and decided to introduce himself from the stage. When that didnt prove intimate enough, Buble went into the crowd to shake the hand of the 7-year old kid.
It means a lot to me that you are here, he said earnestly.
Buble takes his role as an ambassador of the Great American Songbook very seriously. He knows that its partially up to him to introduce these classic tunes to the next generation. The vocalist does so by including bits of all-ages humor in the concert and tossing in some hip-hop and rock edges into the mix to broaden the materials appeal _ the latter, most assuredly, would make the so-called Jazz Police cringe.
Just because he works hard to be popular, however, doesnt mean he should be put in the same category as Rod Stewart and Barry Manilow, two pop stars who mined the oldies catalog as late-career moves. Buble is the real deal and his versions of World on a String and That Life in San Jose carried the same type of confident swagger that the singers idol, Sinatra, wouldve given the tunes.
Although Buble can be called a Sinatra or Bennett wannabe _ in that he wants to be like them _ he is far from being a Vegas-style impersonator. Hes got his own deal going on, which he made perfectly clear when he chose to dedicate a song to the men in the house. It turned out to a rockin cover of Elvis Presleys first single, Thats Alright, Mama, but that one, Buble decided, didnt quite fit the occasion. He said he needed something more macho.
So, of course, he turned to the Macho Men and sang a jazzed-up take on the Village Peoples Y.M.C.A. that had the crowd members _ the same ones that had just gleefully sang along to Feeling Good and other standards _ waving their arms in the air and acting like they were at a disco.
Bubles approach may not always be orthodox, but it undeniably effective.
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